Barakah

Tracklist + Liner Notes

1. The Parties

   Qur’an 33:40-48 (The Parties)
   Muhammad is not the father of any man among you; rather, he is the Messenger of God and the Seal of the prophets. And God is
   Knower of all things. O you who believe! Remember God with frequent remembrance, and glorify Him morning and evening. He is
   Who blesses you, as do His angels, that He may bring you out of darkness into light. And He is Merciful unto the believers. Their
   greeting on the day they meet Him will be “Peace.” And He has prepared for them a generous reward. O Prophet! Truly We have sent
   thee as a witness, as a bearer of glad tidings, and as a warner, as one who calls unto God by His Leave, and as a luminous lamp.
   Give glad tidings to the believers that there will be for them a great bounty from God. Obey not the disbelievers and the hypocrites;
   disregard their affront, and trust in God. God suffices as a Guardian.

    

   Maqām: Hijaz (with allusions to Sīkāh, Rāst and ending in Bayātī)
   Commentary: Throughout the Islamic world sacred musical gatherings usually begin and end with the recitation of the Qur’an. This is done in acknowledgement that all things have their beginning and end in Allah. The style of recitation heard here is unique to the Ḥijaz region of Saudi Arabia. This particular form of recitation is also known as Ḥafs and is traced back to the Prophet (pbuh).

2. Inna Fil Jannati

   Inna fi l-jannati nahran min laban
   Surely, a river of milk flows in heaven,

   Li-‘Aliyyin wa-Ḥusaynin wa-Ḥasan
   For Ali, Husayn and Hasan.

   Kullu man kāna muḥibban lahumu
   And all those who have love for these three,

   Yadkhulu l-jannata min ghayri ḥazan
   shall enter the garden with no misery.*

   Ḥubbu ahlil-bayti farḍun ‘indanā
   For us, love of the Prophet’s family is a duty,

   Wa-bi-hādha l-ḥubbi lā nakhsha l-miḥan
   And with a love like that, we fear no difficulty

    

   Maqām: Bayātī
   Commentary: This is a beautiful love song in praise of the blessed family of the Prophet (Ahl al-Bayt). The four principle rivers of paradise (water, date wine, honey, and milk) go back to Prophetic descriptions of paradise. The poem is inspired by these early traditions. It is of unknown provenance, though it may originate from Morocco or Andalusia. The earliest known reference to this piece dates back to the 17th century, though it may have been composed earlier. Although this piece is traditionally performed a cappella and without harmony, it has been rearranged and modified with minor vocal harmonies for this recording.

   *In Islamic orthodoxy, love alone is not sufficient to gain entry into paradise. This verse is a pious, poetic hyperbole that is not to be taken literally.

   Words & Music: Traditional (most likely of Moroccan-Andalusian origin)
   Performed and arranged by Sami Yusuf
   Recorded at Andante Studios

3. Hamziyya

   Ṣalli yā Rabbi thumma sallim ‘alā man
   So pray my Lord and bestow blessings upon him

   Huwa li-l-khalqi raḥmatun wa-shifā’un
   Who is for all mankind, a grace and a healing

   Wa-‘ala l-āli wa-ṣ-ṣaḥābati jam‘an
   So also on his fair Companions and kinsmen

   Ma tazayyanat bi-n-nujūmi s-samā’u
   With blessings that abide like the sky’s lofty ceiling.

   So pray my Lord and bestow blessings upon him
   Who is for all mankind, a grace and a healing

   So also on his fair Companions and kinsmen
   With blessings that abide like the sky’s lofty ceiling.

   Accept and pity them as my intercessor
   Upon the day when all need an intercessor.

   And in this gloomy age keep me and my people
   For in our day our power has grown faint and feeble.

   For in these times the faith is once more a stranger
   Thus did you once foretell, the decent in danger.

   So catch us lest we fall in the pit of peril
   For on this day we tire, after blunder and quarrel.

    

   Maqām: Sīkāh-‘Ajam (with allusions to Rāst)
   Commentary: The lyrics of this song come from portions of the thousand-verse Hamziyya (poem rhyming in hamza) of the renowned Palestinian scholar Yusuf Nabahani (d. 1932). It describes the Prophet’s life and character and is frequently recited during Mawlid celebrations to commemorate the Prophet’s (pbuh) birthday. The melody sung here is inspired by group chants of the Shadhili-Darqawi-‘Alawi Sufi Order in Mostaghanem, Algeria. The melody has been slightly modified to fit the English lyrics (which are a translation of the original Arabic). English lyrics and translation provided by Dr. Tim Winter.

   Words by Yusuf Nabahani
   Music: Traditional Algerian
   Performed and arranged by Sami Yusuf
   Recorded at Andante Studios

4. Ya Rasul Allah, Pt. 1

   Arabic
   Yā Rasūla l-Lāh
   O Messenger of Allāh
   Qalbī mushtāq
   My heart is longing
   Li-l-Madīnah
   For Medina

   Yā Ḥabība l-Lāh
   O Beloved of Allah
   Kullī ’ashwāq
   All my earnings
   Li-l-Madīnah
   Are for Medina

   Li-Nabīyi l-Lāh
   For the Prophet of Allah
   Muddat bi-r-rajā’ ’ayādīnā
   Our hands are extended in hope

   Mā taruddanā yā Rasūla l-Lāh khā’ibīna
   O Messenger of Allah, our beloved,
   do not us send back empty-handed

   Kurdish (refrain)
   Yā Rasūla l-Lāh
   O Messenger of God,
   Yā shay Medina
   O Prince of Medina

   Har kas ‘ashgta
   Don’t break the heart of the one
   Dili mashkina
   Who loves you and is crazed for you

   Persian 
   To ey khorshide
   Sepehre delhā
   Mawlā yā mawlā
   O sun,
   Heaven of the hearts
   Master O Master

   Dar āsemānhā
   Be bī-karānhā
   Nūre to peydā
   In the heavens
   Towards the boundless
   Your light is visible

   Ey rahnamā o
   Moalleme mā
   Mawlā yā mawlā
   O guide and
   Teacher of ours
   Master O Master

   Habībe l-Lāh
   Shafī’e l-Lāh
   Payāmbare mā
   Beloved of God
   [Our] Intercessor with God
   Our Messenger

   Turkish
   Yâ Resûlallah
   O the Messenger of Allah
   Yâ Nebiyallah
   O the Prophet of Allah

   Günâhım çokdur
   My sins are so many
   Eyle şefâat
   Help me to be forgiven

   Senin aşkına
   ‘Cause God will forgive me
   Affede Mevlâ
   For His love of you

   Kıl bize duâ
   Please pray for us
   Yâ Resûlallah
   O The Messenger of Allah

   Kurdish
   Yā Rasūla l-Lāh, Bawanem, Nawet chand khowsha*
   O Messenger of God, How beautiful is your name

   ‘Araghet golah bawanem, Būnet wa nawsha
   The blessed beads of sweat from your luminous body, smell of flowers

   Har wak hājiyān bawānem, La dowr baytu l-Lāh bawanem
   Like the pilgrims who circumambulate the House of God
   O my all, my beloved
   Bīm ba dawrī to ‘azīzam,
   I’d circle around you, my dearest one,
   Yā Nabī, Yā Shafī’
   O Prophet of God, O Intercessor!

    

   Dastgāh: Shūr (Avaze Abū ‘Atā)
   Commentary: This beautiful song comes from the Kurdish Qadiri zawiyas (Sufi centers) of Western Iran. It is a traditional devotional piece expressing love of the Prophet and longing to visit Medina. The original words are in Kurdish but additional verses in Persian, Turkish and Arabic have been added. The traditional khānghāh daf rhythm of “Ḥay Allah, Ḥay Allah” is incorporated into this piece with a time signature of 10/8.
   *This section (till the Kurdish refrain) is an entirely new composition added by Sami Yusuf with words by Payam Azizi.
   Words by Mohamed Azizi (Kurdish)
   Arabic words by Dr. Imed Nsiri
   Persian words by Ustadh Babak Radmanesh
   Turkish words by Dr. Savaş Barkçin and additional Kurdish words by Payam Azizi.
   Music: Traditional Islamic (from Kurdistan region)

   Performed and arranged by Sami Yusuf
   Recorded at Andante Studios

5. Ya Rasul Allah, Pt. 2

   Ṣallū ‘alayhi shafī’ l-’ummah
   Send salutations upon him, the intercessor of the Muslim nation

   Bi dhikri r-Rasūl tushḥadhu l-himmah
   By mentioning the messenger we sharpen our zeal

   Yā Rabbi bi-jāhin Nabī ’azihi l-ghummah
   O God, for the sake of the prophet, clear the adversity

   Ṣallū ‘ala l-Hādi l-Bashīr*
   Send salutations upon The Guide and Bearer of good tidings

   Ḥabībī l-Badri l-Munīr
   My beloved the luminous full moon

   Shafī’ī ‘inda l-Qadīr
   My intercessor with the All-Powerful

   Ṣallū ‘alayhi
   Send salutations upon him!

   Ṣallū bi-’aḥla l-kalām
   Send salutations upon him with the sweetest of words!

   Ṣallū ‘ala l-badri t-tamām
   Salutations upon him, the full-moon

   Rasūlī, khayri l-’anām
   My messenger, the best of mankind!

    

   Dastgāh: Shūr
   Commentary: This is the second part of “Ya Rasul Allah”. We split the song over two tracks for easier listening.
   *This is a new section (till the refrain) composed by Sami Yusuf with words provided by Dr. Imed Nsiri.

   Words by Dr. Imed Nsiri
   Music: Traditional Islamic (from Kurdistan region)
   Additional composition by Sami Yusuf

   Performed and arranged by Sami Yusuf
   Recorded at Andante Studios

6. Fiyyashiyya

   A humble slave am I of an almighty Lord.
   No work is too hard for that One who’s adored.

   But though I’m a beggar who cannot afford
   To claim any strength, sure and strong is my Lord.

   He says, where He wills, when He wishes a thing,
   just “Be”, and it is, by the might of a King.

   The ruler whose edicts and wise rulings bring
   All blessings and grace by the might of a King.

   I haven’t got the force,
   No strength between my sides
   Why feel such remorse
   when the Maker provides?

   I haven’t got the force,
   No strength between my sides
   Why feel such remorse
   when the Maker provides?

   Ana ‘abdu Rabbī lahū qudratun
   A humble slave am I of an almighty Lord.

   Yahūnu bihā kullu ’amrin ‘asīr
   No work is too hard for that One who’s adored.

   Fa-’in kuntu ‘abdan ḍa‘īfa l-quwā
   But though I’m a beggar who cannot afford

   Fa-Rabbī ‘alā kulli shay’in qadīr
   To claim any strength, sure and strong is my Lord.

   Minnī ash ‘alayā wa ana ‘abadun mamlūk
   I’m but a humble slave, what should I worry about?

   Wa-l-’ashyā’ maqaḍīya mā fi t-taḥqīqi shukūk
   All affairs are ordained, of this there is no doubt

   Rabbī nāẓir fiyā wa ana naẓarī matrūk
   My Lord sees everything, while my sight leaves much out

   Fi l-’arḥām wa l-’aḥshā’ min nuṭfa ṣawwaranī
   In the womb, He formed me from a drop

   Ana mā lī fiyāsh, ash ‘alayā minnī
   I haven’t got the force, No strength between my sides

   Aqliq mir-rizqī lāsh, wa-l-Khāliq yarzuqnī
   Why feel such remorse when the Maker provides?

   Allāhumma ṣalli ‘ala l-Muṣṭafā, ḥabībnā Muḥammad ‘alayhi s-salām
   O Allah, send your blessings on The Chosen One
   Our beloved Muhammad, Peace be upon him

   I’m safe in the shade of his all-knowing height
   And no strength have I — His all power and might.

   So glory to God, his bounty shining bright,
   All gratitude and praise are His due and His right.

   He says, where He wills, when He wishes a thing,
   just “Be”, and it is, by the might of a King.

   The ruler whose edicts and wise rulings bring
   All blessings and grace by the might of a King.

    

   Maqām: ‘Ajam
   Commentary: Written by the Moroccan poet Sidi Othman ibn Yahya Cherki (known as “Sidi Bahloul Cherki”) in the 17th century, the qaṣidah (ode) “Fiyyashiyya” became a standard classic of the Maghrebi genre of malhoun— a genre of Sufi music popular amongst tradesmen in the urban centers of what is today Morocco, Algeria, and Tunisia. Sidi Bahloul was a member of the Harraqi zawiya of Tetouan in northern Morocco, and his poetry, especially this qaṣidah, continues to be chanted by the members of his Shadhili-Darqawi-Harraqi Tariqah to this day. It has become one of the best-known and loved traditional songs amongst Moroccans from all walks of life. The inclusion of tanbour and daf gives this new arrangement a Persian or Khorasani touch. We have also added English lyrics to the song (English lyrics and translation provided by Dr. Tim Winter).

   Words & Music: Sidi Othman ibn Yahya Cherki (Traditional Moroccan/Islamic)
   English translation by Dr. Tim Winter (Abdal Hakim Murad)

   Performed and arranged by Sami Yusuf
   Tanbour performed by Seyed Ali Jaberi
   Dafs performed by Seyyed Mohammad Jaberi
   Recorded @ Crosstown Studios & Andante Studios

7. Ya Nabi

   Wa ṣalli ‘ala l-Hādī, ḥabībī jaddi l-Hasanayn
   Salutations upon our Guide, the beloved, the grandfather of Hasan and Hussein

   Rasūlī ma’danu l-jūdi, Imāmu l-Ḥaramayn
   My prophet, the quintessence of generosity,
   the Imam (leader) of the Two Holy Mosques

   Nabīyinā khayru man yamshī ‘ala l-qadamayn
   Our prophet is the best of those who walk on two legs

   Yā ‘āshiqīn ṣallū ‘ala sayyidi l-kawnayn
   O You who love him, send salutations upon the master of the two worlds

   Ṣalla l-Lāhu ‘alayhi wa-ālihī, wa aṣḥābihi l-mayāmīn
   Salutations of God upon him, his family, and his blessed companions

   Yā Nabī
   O Prophet

   Ṣalla l-Lāhu ‘alayhi wa-ālihī wa-‘ala aṣḥābihi
   Salutations of God be upon him, his family and auspicious companions

   Lā mithluhū ’aḥadun, lā mathīla lak
   You have no match, no one can compare

   Yā Rasūlī, yā Habībī, yā Malādhī, yā Bashīrī
   O my prophet, O my beloved, O sanctuary, O bearer of good tidings

   ’Anir ṭarīqī bi-jāhi Ṭāhā
   Enlighten my path O God, for the sake of Taha

   ’Ataytu ḥimak ’arjū riḍāk
   I came to Your sanctuary, hoping for Your approval

   Ṣalli ‘ala l-’Amīn
   Salutations upon The Trustworthy

   Sayyidī, Sayyidu l-’awwalīn wa-l-ākhirīn
   My master and the master of the first and the last

   Yā Nabī
   O Prophet

   Ṣalawātu l-Lāh
   Blessings of God

   Wa Salāmu l-Lāh
   And His Peace

   Ṣalla l-Lāhu ‘alayhi
   Be upon him

    

   Raag: Kafi
   Commentary: This song, written in honor of the great Indian saint and founder of the Chishti order, Mu‘in ad-Din Chishti (d. 1236), was composed by the Sabri brothers from a compilation of poems and melodies of the Chishti order. The music and lyrics have been modified in this rendition: the words are sung entirely in Arabic about the love for the blessed Prophet (pbuh), his household and companions.

   Words by Dr. Imed Nsiri
   Music: Traditional Islamic (Indian Subcontinent)

   Performed and arranged by Sami Yusuf
   Recorded at Andante Studios

8. Ben Yürürüm Yane Yane

   I am walking, burning, burning,
   Love has stained my heart with yearning,
   Neither crazy nor discerning –
   Come, see, what love has done to me.

   Gel gör beni beni aşk neyledi
   Derde giriftar eyledi

   Come, see, what love has done to me.

   One day like the winds I’m blowing,
   One day like the roads I’m going,
   One day like the floods I’m flowing.
   Come, see, what love has done to me.

   Take my hand and keep me staying –
   Take me else, to You conveying,
   No more tears, for laughs I’m praying.
   Come, see, what love has done to me.

   Walking round with Majnun’s madness,
   Seeing Her in dreams my gladness,
   Waking up again in sadness.
   Come, see, what love has done to me.

   I am Yunus, poor and stricken,
   From my exile my steps quicken,
   Head to toe I hurt and sicken.
   Come, see, what love has done to me.

   Ben yürürüm yane yane
   I am walking, burning, burning,

   Aşk boyadı beni kane
   Love has stained my heart with yearning,

   Ne akilem ne divane
   Neither crazy nor discerning –

   Gel gör beni aşk neyledi
   Derde giriftar eyledi
   Come, see, what love has done to me.
   Come, see, what love has done to me.

   Maqām: Segāh
   Commentary: “Ben Yürürüm Yane Yane” is a Sufi song that is popular throughout Turkey and the Balkans. The poem was written by the poet and Sufi mystic, Yunus Emre, who lived in central Anatolia in the 13th century, and it has been sung in the ceremonies of many different Sufi orders in Turkish-speaking lands for hundreds of years. Yunus Emre’s poetry conveys the human longing and love for the Divine, and it continues to be a source of inspiration for composers of Sufi music today. This English rendition, a direct translation of the original Turkish, has been slightly modified from the original melody (introductory music composition and arrangement only) and is sung partially in the original Turkish. English lyrics and translation provided by Dr. Tim Winter.

   Words & Music: Traditional (words by Yunus Emre)
   Performed and arranged by Sami Yusuf
   Recorded at Andante Studios

9. Araftul Hawa

   I only knew love when I knew love of Thee,
   I sealed up my heart against Thy enemy.

   I stood long in converse with Thee, who doth see
   My heart’s inner secrets, but Thou I don’t see.

   My love is twin loves, yet the twain are for Thee,
   The first’s for Thy love, and the other’s for Thee.

   And as for the first, which is love of Thy love:
   Remembrance complete, not distracted from Thee.

   ‘Araftul-hawā mudh ‘araftu hawāk
   Wa-’aghlaqtu qalbī ‘alā man ‘ādāk
   I only knew love when I knew love of Thee,
   I sealed up my heart against Thy enemy.

   And as for the second: my true love of Thee,
   I see Thou as present in all that I see.

   All praise to Thy name, and no praises for me,
   For Thine is the glory in all unity.

   ‘Araftul-hawā mudh ‘araftu hawāk
   Wa-’aghlaqtu qalbī ‘alā man ‘ādāk
   I only knew love when I knew love of Thee,
   I sealed up my heart against Thy enemy.

   ’Uḥibbuka ḥubbayni, ḥubba l-hawā
   Wa-ḥubban li-’annaka ’ahlu l-lidhāk
   My love is twin loves, yet the twain are for Thee,
   The first’s for Thy love, and the other’s for Thee.

   Fa-’amma l-ladhī huwa ḥubbul-hawā
   Fa-shughlī bi-dhikrika ‘an man siwāk
   And as for the first, which is love of Thy love:
   Remembrance complete, not distracted from Thee.

   Wa-’amma l-ladhī ’anta ’ahlu l-lahu
   Fa-lastu ’ara l-kawna ḥattā ’arāk
   And as for the second: my true love of Thee,
   I see Thou as present in all that I see.

   Fa-la l-ḥamdu fī dhā wa-lā dhāka lī
   Wa-lākin laka l-ḥamdu fī dhā wa-dhāk
   All praise to Thy name, and no praises for me,
   For Thine is the glory in all unity.

    

   Maqām: Nahāwand
   Commentary: This most famous poem of the 8th century female Sufi saint of Iraq, Rabi‘a al-‘Adawiyyah, has been set to music many times, but this Andalusian melody fits the tone and rhythm of the poem beautifully. The inclusion of the tanbour and daf add a Persian influence to the piece. English lyrics and translation provided by Dr. Tim Winter.

   Words: Rabi‘a al-‘Adawiyyah
   Music: Traditional Islamic (Andalusian)

   Performed and arranged by Sami Yusuf
   Recorded at Andante Studios

10. Ya Hayyu Ya Qayyum

    [Urdu:]
    Yā Ḥayyu Yā Qayyūm
    O the Ever-Living, The Ever-Lasting One!

    Yā Raḥīmu Yā Raḥmān
    O the Most-Merciful, the Beneficent

    Yā ‘Ādilu Yā Mannān*
    O the Just One, O the Bestower (of blessings)

    Yā Ḥāfiẓu Yā Sattār
    O the Protecting One, the Concealing One

    Yā Wāhidu Yā Ghaffār
    O the Only-One, the Forgiver

    Yā Māliku Yā Razzāq
    O the One who owns everything, who provides for everyone

    Tu khāliq-e- har khallāq
    You are the Creator of all creators

    Har rāz tujhe ma‘lūm
    You know every secret

    Yā Ḥayyu Yā Qayyūm
    O the Ever-Living, the Ever-Lasting One!

    Tu misl hai to la-raib
    You are the quintessence of certainty

    Tu pak hai to be-aib
    You are pure and immaculate

    Tu zist ka hai unwan
    All life begins from You

    Tu sakhir-e-har udwan
    You are the Subduer of all enemies

    Teri zat hai azz-o-jal
    Your being is eternal

    Tu har mushkil ka hal
    You are the solution to every problem

    Har samt hai teri dhum
    You are known all over

     

    Raag: Ahir Bhairav
    Commentary: Although the exact origins of this qawwali are unknown, it is sometimes sung to revere the 12th century Sufi saint, Fariduddin Masud Ganjshakar (or Baba Farid) of the Indian subcontinent. A direct descendant of the second caliph of Islam, ‘Umar ibn Khattab, his poetry is also included in the Guru Granth Sahib — the most sacred scripture of Sikhism. Not only are the verses of this qawwali based on his teachings, but the opening verse of the qawwali, “Ya Hayyu Ya Qayyum” were the last words Baba Farid uttered. It is related that on the 5th of Muharram, in the year 1266 (according to the Gregorian calendar), Baba Farid became unconscious after the ‘Isha (evening) prayer. When he regained his consciousness, he inquired of those present, “Have I offered my ‘Isha prayer?” Although those present answered in the affirmative, Baba Farid replied, “Let me offer it once more for I may not get another chance.” So, he performed ablution again and offered the ‘Isha prayer a second time. Then he fell unconscious once again. On regaining consciousness, he once more performed his ablution and said the ‘Isha prayer for a third time. Whilst still in prostration, he uttered, “Ya Hayyu Ya Qayyum”, and his soul left his body. That is why, for hundreds of years, this qawwali has been sung at the death anniversary of Baba Farid.

    *In the original version, the word used here was “Dayyān” but this has been replaced to “Mannān” (The Bestower).

    Words & Music: Traditional Islamic (Indian Subcontinent)
    Performed and arranged by Sami Yusuf
    Recorded at Andante Studios

11. Taha

    Ṣalla l-Lāhu ‘alā Ṭāhā
    Khayri l-khalqi wa-’aḥlāhā
    God’s blessings be upon Taha,
    Best of creation and the sweetest

    Khayru l-khalqi huwa l-hādī
    Nūru l-kawni bihi bādī
    Best of [God’s] creation, he’s the guide
    The light of existence shines through him

    ‘Amma n-nāsa bi-’irshādi
    ’Azka l-khalqi wa-’arḍāhā
    He encompassed all mankind with his guidance
    Purest of creation and the most pleasing

    Nūru l-Lāhi l-mutaqaddim
    Qabla l-khalqi l-muta‘allim
    The first light of God
    He was taught before all other creation

    Badru n-nūri l-mutalaththim
    Hādi l-khalqi li-Mawlāhā
    The veiled light of the full moon
    Guiding creation to its Lord

    Ba‘da s-sidrati qad sārā
    Wa-ra’a l-ḥaqqa wa-’anwārah
    Beyond the Sidra* he walked
    And saw The Truth and His Lights

    Waqafa r-ruḥu wa-ma sārā
    Idhhab waḥdaka yā Ṭāhā
    The Spirit (Jibra’il) stopped and did not continue
    [saying] go on alone Taha

    Irża l-Lāha bi-l-ālāf
    ‘an ’ahli l-bayti l-’ashrāf
    May God be pleased with his intimates
    from his noble family

    Wa-l-’aṣhābi ’ūli-l-’insāf
    Nālu l-khulda wa-suknāhā
    And his companions, the people of justice
    Who gained eternity and its dwelling

    Malīḥun lawnuhū**
    Kahīlun ṭarfuhū
    Jamīlun na‘tuhū
    Ṣalla l-Lāhu ‘alā Ṭāhā
    Of fine complexion
    His eyes, dark and wide
    Of beautiful face
    The guide, with whom God is satisfied

    Qamarīyun wajhuhū
    Bahīyun shakluhū
    ‘Aẓīmun khuluquhū
    Ṣalla l-Lāhu ‘alā Ṭāhā
    His face is like the moon
    His form is resplendent
    His character is mighty
    Taha, the chosen one

    Rahīmun qalbuhū
    Ṣadūqun wa‘duhū
    ‘Amīmun jūduhū
    Māḥin muntaqā
    His heart is kind,
    His promises are kept
    His generosity is vast
    The effacer (of sins), the chosen one

    Ṣalātu Rabbī
    Ma‘a s-salāmi
    ‘Alā Muhammad
    Zaynu l-’asāmī
    The blessings of my Lord
    And His peace
    Upon Muhammad
    The most beautiful of names

     

    Maqām: Bayātī
    Commentary: “Ṣalla l-Lāhu ‘alā Ṭāhā” was written by the Sudanese/Egyptian Shaykh Salih al-Ja’fari (d. 1979) who taught and lived at the famous al-Azhar University in Cairo and was also the Imam of the al-Azhar mosque. He was a Sufi shaykh in the lineage of Ahmad ibn Idris of Fez (d. 1837) and a prolific author of works on the Qur’an, Hadith, Islamic law and Sufism. He also wrote a celebrated collection of poetry, from which this song is taken. The end section incorporates the blessed names of the Prophet (pbuh) taken from the Diwan of the famous Moroccan Sufi saint Imam Mohammed Al-Jazuli’s (d. 1465), Dala’il al-Khayrat.
    *The Sidra is a reference to the “Lote tree of the furthest boundary” (sidrat al-muntahā) mentioned in the Qur’an (53:14) and described by the Prophet on his night journey to heaven (mi’rāj). The sidra marks the outer boundaries that separate the created world (‘ālam al-khalq) from the spiritual world of the divine command (‘ālam al-amr).
    **This section is an original composition with words provided by Mohammed Ali El Oumari and Abdel Ilah Ikhal. The inspiration behind the melody comes from an old Kurdish folk song heard by Sami Yusuf when he was a child.

    Words by Shaykh Salih al-Ja’fari
    Music: Traditional Islamic (unknown provenance)

    Performed and arranged by Sami Yusuf
    Recorded at Andante Studios

12. Asheqan

    Ey ‘Āsheqān, Ey ‘Āsheqān
    Amad gahe waṣlo leqa
    Az āsemān āmad nedā
    Key mahrūyān aṣ-ṣalā

    O lovers, O lovers, the time of union and meeting has come
    A calling from Heaven proclaimed, “Moon-faced ones, it is time to pray!”

    Ḥay Allāh, Hu Allāh, Yā Allāh

    Ey sarkhoshān, Ey sarkhoshān
    Amad ṭarab dāman keshan
    Begrefte ma zanjīre ū
    Begrefte ū dāmāne mā

    O divinely intoxicated ones, the joyously whirling One has arrived;
    The chains of His curls have captured us and the yearning of our hearts have captured Him.

    Amad sharābe ātashīn
    Ey Dīve gham konjī neshīn
    Ey jane marg-andīsh ro
    Ey sāqīye bāqī darā

    The fiery wine has come, demon of grief, off to a corner!
    Leave O death-pondering soul, O immortal Saqi, come through!

    Ey haft gardūn maste to
    Mā mohreyi dar daste to
    Ey haste mā az haste to
    Dar ṣad hezārān marḥabā

    O by whom the seven vaults are enraptured,
    We are but a bead in your hands
    Our being is by your being, a thousand hails!

    Ey bānge naye khosh-samar
    Dar bānge to ṭa’me shekar
    Āyad marā sham-o sahar
    Az bānge to būye vafā

    O sound of the reed with sweet stories
    In your sound is the taste of sugar
    From your sound, comes the fragrance of fidelity day and night!

    Bāre degar āghāz kon
    Ān pardehā rā sāz kon
    Bar jomle khūbān nāz kon
    Ey Āftābe khosh leqā

    Begin once more and tune those notes!
    Display your charm to the good souls,
    O fair-faced sun!

     

    Dastgāh: Shūr (Avaz-e Abū ‘Atā)
    Commentary: This beautiful piece comes from the Khanqahs (Sufi centers) of the Qadiriya-Talebani Tariqah in Kirkuk, Iraq. The original poem (“Mosalmanan”) was written in Persian approximately 200 years ago by Shaykh Abdul Rahman Khales (Shaykh of the Qadiriya-Talebani Sufi order). However, the lyrics of this rendition come from Mawlana Jalal ad-Din Balkhi’s (“Rumi”) Divān-i Kabir (Ghazal 34). The daf “Ḥay Allah” maqām is used in the first half of this piece followed by Maqām Haddādī (both traditional khanghāh rhythms).
    *God’s name, “al-Ḥayy” (“The Living”), is often chanted by Sufis in spiritual sessions because it permeates all life and attracts the blessings of God who is the source of all life. The name “Ḥayy” is also the beginning of each breath we take. Without “al-Ḥayy”, all would perish. The name Allāh is the all-comprehensive name of God that contains within it all the meanings and significance of all the other Divine Names. The “Hu” is derived from “Huwa” (He) and expresses the divine Essence (al-dhāt al-ilāhiyya) which can neither be grasped nor encompassed by anything other than Itself.

    Words by Mawlana Jalal ad-Din Balkhi’s (“Rumi”) Divān-i Shams
    Music: Traditional Islamic (from Kurdistan region)

    Performed and arranged by Sami Yusuf
    Recorded at Andante Studios

13. Barakah

    Dastgāh – Maqām: Maqām Tarz with allusions to Dastgāh Shūr
    Commentary: This piece, the only original composition on the album, takes as its structure the traditional maqām and dastgāh musical systems. Within this framework, the music evokes both power in its dynamic rhythms and beauty in its interwoven melodies. An echo of the Sufi samā’, the ceremony of listening and remembrance, can be heard in the resonant “Allah Hu”.

    Credits:
    Music: Sami Yusuf
    Performed and arranged by Sami Yusuf
    Recorded at Andante Studios

14. Iron

    Qur’an 57:1-3 (Iron)
    Whatsoever is in the heavens and the earth glorifies God, and He is the Mighty, the Wise.
    Unto Him belongs sovereignty over the heavens and the earth. He gives life and causes death, and He is Powerful
    over all things.
    He is the First, and the Last, and the Outward, and the Inward; and He is Knower of all things.

    Maqām: Bayātī
    Commentary: This style of recitation is typical of the ‘old Egyptian’ style. Quranic recitation at the beginning and end of a sacred musical event is an acknowledgement that all things have their beginning and end in Allah. This particular form of recitation is known as Ḥafs and is traced back to the Prophet (pbuh).